Khaoula B. Karaweigh (b. 1995) is a Moroccan artist who now lives and works in London, United Kingdom.

Khaoula primarily works in painting, drawing on personal experience, Moroccan folklore, and the lives of those around her to explore cultural and political subjects. Through recurring motifs such as horns, worms, and mice, she examines themes of grief, motherhood, trauma, abuse, and superstition. Her practice embraces discomfort, using painting as a space to confront difficult memories and emotions, transforming fear and vulnerability into layered visual narratives.

Khaoula holds a Master of Architecture from the National School of Architecture in Rabat, Morocco, as well as a Master of Arts in Painting from the University of the Arts London, UK.

She has been exhibiting her work from a young age in Morocco and has since showcased her pieces in London and Croatia. In addition to her artistic practice, she also works in set design and teaches drawing and painting classes in London.

Her most recent publication is a contribution to Embodied Histories by Dyana Gravina and published by Wysewomen Publishing. This book explores the historical intersection of the medicalisation of childbirth and the moralisation of sexuality, examining the cultural and systemic patterns that shape both public and private experiences.

Khaoula's most recent exhibition and first curatorial project, The Let Down, is a group exhibition addressing the fourth trimester, an often neglected phase of motherhood. This exhibition was held at Turie, London.

Karaweigh was shortlisted for the Sequested Prize and currently serves as an associate for Metalore theatre, London.

Currently, Khaoula is developing a new body of work following a maternity break.